The Centre for Theatre and performance is delighted to welcome new staff member Yana Taylor. Yana comes to CTP with a wealth of experience as a researcher, dramaturg, teacher and performance maker. Building on her extensive background in movement, improvisation and theatre, Yana has been intimately involved in experimental performance, critically engaging with artists in Sydney over the last twenty years. In 2011/12 she worked as a dramaturg with physical theatre company, Strings Attached, Shopfront’s Arts Lab emerging artists and as an Australia Council JUMP mentor. She participated in Time_Place_Space 4 hybrid arts lab, chaired Western Sydney’s community-engaged company, Urban Theatre Projects (1998-2003), returning to perform in UTP’s site-specific piece for the Sydney Festival, The Last Highway (2008).
As one of makers of version 1.0′s multi-media and documentary theatre works since 2000, Yana worked as performance dramaturg on CMI [A Certain Maritime Incident] (2004), The Wages of Spin (2005) and This kind of ruckus (2010); as devisor/performer in Deeply offensive and utterly untrue (2007) and The Table of Knowledge (2011-12). In 2011 she conceived, performed in and created the screen work for the critically acclaimed performance installation, The Disappearances Project, which has continued to tour nationally and is currently programmed in the UK’s Brighton Festival this year. Also, The Disappearances Project is being re-imagined and produced by version 1.0 for broadcast on ABC radio. Her Phd research (Usyd) focused on the role body-based training practice played in the collaborative devising of new works by seminal contemporary performance groups in Australia.
She designed curricula and lectured in performance-making, actor education, movement, theatre theory and history at UWS, Nepean’s performance degree, at Macquarie University and taught in the Australian Film Television and Radio School’s post-graduate program for teachers of creative practice in higher education.
CTP PhD student presents World Premiere
Congratulations to CTP PhD graduate Merrilee Moss on the production of her play ORIEL at La … Continue reading CTP PhD student presents World Premiere
Monash Theatre and Performance Centre receives $1 million donation for Artists in Residence Program
Melbourne philanthropist Dr Jeanne Pratt AC has donated $1,000,000 to Monash University’s Centre for Theatre and Performance, significantly boosting student opportunities in musical theatre.
Australian drama comes to Clayton
A powerful Australian play about urban sprawl and social change will be performed at Monash … Continue reading Australian drama comes to Clayton
Genealogies and Geographies of Experimental and Underground Music in China
On January 16, 2016, Stuart Grant from CTP, in cahoots with Dr Xin Gu and … Continue reading Genealogies and Geographies of Experimental and Underground Music in China
CTP Welcomes New Staff Members
The Centre for Theatre and Performance is delighted to welcome two new staff members into … Continue reading CTP Welcomes New Staff Members
‘The Wizard of Oz’ gains 3 nominations at Sydney Theatre Awards.
Belvoir Theatre’s radical reworking of ‘The Wizard of Oz’ gains 3 nominations in the prestigious … Continue reading ‘The Wizard of Oz’ gains 3 nominations at Sydney Theatre Awards.
From Nov 2-8 CTP and the PRU hosted the DANCE THINK TANK 3 laboratory at … Continue reading DANCE-THINK-TANK 3
CTP PhD Candidate secures prestigious Scholarship
PhD Candidate Sean Mulcahy is no stranger to the Centre for Theatre and Performance having … Continue reading CTP PhD Candidate secures prestigious Scholarship
New First Year Acting Units for 2016
CTP is excited to introduce two new first year units for 2016. Acting 1: Theory and practice and Acting … Continue reading New First Year Acting Units for 2016
CTP PhD candidate ” pushes the boundaries of spoken word and performance poetry”
Poet and CTP PhD candidate Kerry Loughrey has been praised for her performance research investigation … Continue reading CTP PhD candidate ” pushes the boundaries of spoken word and performance poetry”
CTP in Top Ten Fringe Picks
Time Out has selected Welcome to Nowhere, CTP’s third year production as a “must see” … Continue reading CTP in Top Ten Fringe Picks
CTP at the AWGIES
The headphone verbatim piece Hello, Goodbye and Happy Birthday that booked out in last year’s … Continue reading CTP at the AWGIES