Date/Time
Date(s) - 26 Jul 2012 until 31 Oct 2012
9:30 AM - 11:00 AM
Location
Burchill Rooms, Performing Arts, Building 68, Monash University
Category(ies)
Monash University, School of Music
Research and Work in Progress Seminars, Semester 2, 2012
Burchill Rooms, Thursdays, 9.30–11.00
Week 1, 26 July. Nadia Madzhi (Monash): Changes in the Traditional Ceremonies, Music and Dance in the Daily life of the Melanau People of Sarawak, with Particular Reference to the period 1990–2012
Week 2, 2 August. Paul Watt (Monash): ‘Mapping Journalism Networks’: The Case of the Weekly Critical Review, Paris, 1903–1904
Week 3, 9 August. David Irving (King’s College, London): Psalms and Hymns in the Malay-Indonesian Archipelago, 1600–1900
Week 4, 16 August. Thomas Reiner (Monash): The Composer, the Musicologist, His Wife, and Her Lover: On Lacan’s Relevance to Music
Week 5, 23 August. Sarah Collins (Monash): A Critical Succession: Historicism, Aesthetic Democracy and Music Criticism between the Two World Wars
Week 6, 30 August. John Whiteoak (Monash): ‘Take Me to Spain’, ‘Spanish’ Music and Dance in Australia from the Early Colonial Popular Stage to the ‘Spanish’ Cabaret-Restaurant: Problems and Methodology
Week 7, 6 September. Philip Flavin (Monash): Ichiyanagi, Hirō, Commercial Jingles and the Psychedelic Reordering of the Senses
Week 8, 13 September. Peter Fabian (Monash): TBA
Week 9, 20 September. Robert Stove (Monash): Holy Toledo: The Organ’s Role in Spanish Catholicism, 1500–1700
Week 10, 4 October. Elizabeth Scarlett (Monash): Performance Aspects of Poulenc’s Melodies, with references to his Continuing Patrons
Week 11, 11 October. Paul Watt (Monash) and Alison Rabinovici (University of Melbourne): Music-Making at Alexandra Palace in the late Nineteenth Century: Competition and Commerce
Week 12, 18 October. Anthea Skinner (Monash): Disability Rocks: An Exploration of Freak Pride and Crip Culture
Week 13, 25 October. Rob Burke (Monash): Reflective Practice in Jazz Performance: A Personal Case Study
