The Repository of the Indonesian Arts (RIA) is a physical and digital collection of recordings, art objects, photographs and writings on the music, dance, theatre and other performing arts of various islands and provinces of Indonesia, including the traditional, ethnographic, endangered, new, and revitalised arts. The Repository is housed within the Music Archive of Monash University (MAMU).
The Repository has focused to date on collecting and recording the traditional vocal and instrumental music, dances, theatre, bardic arts, and martial arts of Indonesia, together with their associated properties, including musical instruments, theatre puppets, paintings, carvings, dance costumes, and textiles worn at domestic and religious rituals. Its audio- and audio-visual recordings also include new music, dance and theatre items that are performed on government and commercial occasions, on the media, and in the streets and fair grounds. Visit the Gallery [insert link] to see photographs of select items in the Repository and learn about their historical, religious, mythical, and social contexts.
The History of RIA
A large proportion of the Repository’s holdings were acquired by staff and students of the Sir Zelman Cowen School of Music at Monash University, in the course of ethnomusicological fieldwork in Indonesia from 1974 to the present day. From 1995 to the present, a part-time archivist and ethnomusicologist – Ms Bronia Kornhauser MA – has been employed to manage the growing size and diversity of materials housed in the Repository.
The principal contributors to the Repository to date include: Margaret and Dris Kartomi (from 1974 to the present), Karen Kartomi Thomas (in 1985 and from 2011), Ashley Turner (in the mid-1980s), David Goldsworthy (from 1978), Lynette Moore (Pak-Pak music in the 1980s), Mauly Purba (Simelungun Batak music in the 1990s), and Iwan Amir (Acehnese music in the early 2000s). Among the bequests are the Jeune Scott-Kemball Collection of Javanese Musical Theatre Arts (including a rare 1918 shadow puppet), and the John Noble Collection of Indonesian Textiles. Donations include the Sumatra Music Archive (from the Kartomis and others) and the David Hanan Collection of Historical Indonesian Films.
From early 2014, RIA combined forces with the Museum of Indonesian Arts Inc. (MIA) to co-present select Indonesian art objects as part of MAMU and in public exhibitions. With fine examples of textiles from most parts of the Archipelago, particularly Eastern Indonesia; Javanese leather shadow puppets and Javanese dance masks as well as paintings on all sorts of materials from various parts of Indonesia but mainly from Java and Bali; kendi (drinking water containers) from many parts of Indonesia, treasures from Lombok and Sumatra, the Museum of Indonesian Arts Inc and its members have collections of visual arts that complement the holdings of MAMU. In recognition of their collaborative work, Australia’s federal government awarded MIA and MAMU a Community Heritage Grant in October 2014 to fund a project that would assess the significance of their holdings. The project outcome, announced through the National Library of Australia in Canberra in 2015, deemed that MIA and MAMU have collections of National Significance.
Visit the MIA website for more information.
Visit the RIA Gallery
Exhibition of Rare Javanese Wayang Kulit Puppets: September – October, 2015
The Sir Zelman Cowen School of Music at Monash University presented an exhibition of Rare Javanese Wayang Kulit Puppets, prepared by the Music Archive of Monash University (MAMU) in celebration of the Sir Zelman Cowen School of Music’s 50th Anniversary (1965-2015).
Monash Digital Archive of Early Australian Music
A collection of Australian music from the beginnings of colonisation until the mid 20th century.