Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China.
Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness.
It engages new sites of localisation, multilingualism, and difference that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora.
The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies.
“This volume is a valuable source of new insights by those committed to working in the area of Sinophone cinemas. The lucid presentation of the subject makes it a perfect choice for classroom use”.
– Professor Gina Marchetti, University of Hong Kong
Sinophone Cinemas, edited by Audrey Yue and Olivia Khoo
Published by Palgrave Macmillan, January 2014
Getting to know … Therese Davis
Monash University film lecturer Associate Professor Therese Davis is co-writing a book about Australian Indigenous filmmaking with Dr Romaine Moreton, who is a philosopher and Indigenous filmmaker.
New Directions in Screen Studies
A group of Monash Film and Screen Studies postgraduates have been especially busy over … Continue reading New Directions in Screen Studies
Calling all students! AFI membership offer
Want to attend free advanced screenings of Australian film and TV? Want to chat with … Continue reading Calling all students! AFI membership offer
Martin launches Mise en Scène and Film Style
Adrian Martin, an Adjunct Associate Professor in Film and Screen Studies at Monash University, launched his book, Mise en Scène and Film Style: From Classical Hollywood to New Media Art, on February 26.
CFP – Cinema at the End of the World
International Conference 16–19 November 2015 Call for Papers Every day hundreds of people travel back … Continue reading CFP – Cinema at the End of the World
CFP – New Directions in Screen Studies
Call for Papers New Directions in Screen Studies: A National Conference for Postgraduates and Early … Continue reading CFP – New Directions in Screen Studies
Under Construction Seminar Series 2015
2-4 pm in Room H805/06.Caulfield Campus. First Monday of every month during Semester Next Session: … Continue reading Under Construction Seminar Series 2015
Symposium – Digital Media as Method
The Digital Media as Method symposium was convened by Deane Williams. Held November 13-14 2014, … Continue reading Symposium – Digital Media as Method
Visiting scholar Thomas Elsaesser on Film Theory in the Digital Age
Affect and Appropriation: Film Theory in the Digital Age October 13, 2014. Australian Centre for … Continue reading Visiting scholar Thomas Elsaesser on Film Theory in the Digital Age
International Screening and Q&A – New Directions in Indigenous filmmaking and performance
“New Directions in Indigenous filmmaking and performance: screenings and Q and A”. Presented by Dr … Continue reading International Screening and Q&A – New Directions in Indigenous filmmaking and performance
India In Flux: Living Resistance presented at MIFF
India In Flux: Living Resistance at Melbourne International Film Festival 2014 is the first public … Continue reading India In Flux: Living Resistance presented at MIFF
The Journey from AIDS to HIV
The School of Media, Film and Journalism hosted a fascinating preview of Transmission: The Journey from AIDS to … Continue reading The Journey from AIDS to HIV