Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China.
Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness.
It engages new sites of localisation, multilingualism, and difference that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora.
The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies.
“This volume is a valuable source of new insights by those committed to working in the area of Sinophone cinemas. The lucid presentation of the subject makes it a perfect choice for classroom use”.
– Professor Gina Marchetti, University of Hong Kong
Sinophone Cinemas, edited by Audrey Yue and Olivia Khoo
Published by Palgrave Macmillan, January 2014
Tribute to FSS alumnus Adrian Slattery
Film and Screen Studies staff, and the Monash community, are saddened to hear of the death of alumni student, Adrian Slattery, on May 14, 2016.
The Other Paris: Public Seminar with Luc Sante
In his only Melbourne engagement, acclaimed author Luc Sante talks about the why and how of his recent book, The Other Paris (2016), including a reading from a chapter titled “Zone.” Sante will present in Building B at Monash’s Caulfield campus in Room B5.37 on Thursday, May 26 from 6.30pm to 8pm.
Verevis invited to present at Berlin conference
Monash’s School of Media, Film and Journalism academic Associate Professor Constantine Verevis has been invited as a speaker for the Seriality, Seriality, Seriality conference in June.
Monash University launches innovative media lab
A state-of-the-art media lab will be officially launched at Monash University’s Caulfield campus on April 7.
Hitting the target, Hou Hsiao-hsien style
A public lecture, Hitting the Target, Hou Hsiao-hsien Style, will be held on March 15 from 5pm to 7pm at Monash University in the Menzies Building S704.
Masterclass: AV essays as creative research
The Film, Media and Communications Program will conduct a Masterclass on audiovisual essays as creative research on Tuesday, March 1 at 2pm to 4pm in the theatrette, Building B, Room B537 on Caulfield campus.
David Lynch and David Bowie: Outside / Twin Peaks
In 2016, we await the miracle of a new Twin Peaks season from David Lynch, … Continue reading David Lynch and David Bowie: Outside / Twin Peaks
Meeting the Rebel Master of the World Cinema
Recently, Monash University Doctoral Researcher Moynul Alam (Moynul Shaon) had the rare opportunity to meet … Continue reading Meeting the Rebel Master of the World Cinema
The Cinema of Sean Penn to launch in St Kilda
Monash University’s Associate Professor Deane Williams, an expert in film and screen studies, will celebrate the launch of his new book, The Cinema of Sean Penn: In and Out of Place at Readings, Acland St, St Kilda on February 25 at 6pm.
PhD Scholarships in Australian Film, Television and Media History
Three full-time, funded, scholarships available for PhD candidates to undertake research into Utilitarian Filmmaking in … Continue reading PhD Scholarships in Australian Film, Television and Media History
Public Lecture: Lesley Stern – How Does (the) Cinema Feel About (the) Animal?
On Thursday November 12th, renowned film scholar Professor Lesley Stern presented a public lecture at … Continue reading Public Lecture: Lesley Stern – How Does (the) Cinema Feel About (the) Animal?
Getting to know … Therese Davis
Monash University film lecturer Associate Professor Therese Davis is co-writing a book about Australian Indigenous filmmaking with Dr Romaine Moreton, who is a philosopher and Indigenous filmmaker.